Upper School Curriculum

Interdisciplinary Studies

Exemplifying the belief that excellence in high school education need not be constrained by a traditional academic curriculum, the interdisciplinary studies department is founded on the principle that a complete high school education must aspire to an exploration of the significant connections between disciplines. Why and how was it possible for the Holocaust to occur? How is our understanding of human history affected by seeing it in the context of the scientific study of the universe as a whole? How has changing scientific knowledge of anatomy informed artistic representations of the human form? In order to respond to such questions successfully, students need to integrate disciplines, combining the insights, skills, and approaches of different subjects in order to make progress. While such interdisciplinary engagement has always been important as an intellectual pursuit in its own right, there is growing evidence that in a rapidly changing, globalized environment, aptitude for and confidence with intellectual and creative synthesis are increasingly vital qualities for successful graduates. As ‘excellence’ provides the rationale for the IDS department, ‘humanity’ constitutes its fundamental content: a full appreciation of the richness and value of our shared humanity involves a creative, rigorous examination of the relationships between our arts, histories, sciences, mathematics, languages and literatures. While interdisciplinary courses should and will vary widely in terms of delivery style, subject matter, and teaching faculty, it is in its creative fostering of these qualities and this content that each interdisciplinary course finds its deepest rationale.
  • AP English 12

    This AP course, open to invited twelfth graders, is the culmination of the honors English program. While the course prepares students for the AP English Literature and Composition exam, its central aim is to provide an opportunity for sophisticated literary discussion and written analysis. Students pursue a study of a combination of British literature with other literature in English, including Oscar Wilde’s The Importance of Being Earnest, Arundhati Roy’s The God of Small Things, Zadie Smith’s White Teeth, George Orwell’s 1984, Mary Shelley’s Frankenstein, Kazuo Ishiguro’s Never Let Me Go, Ian McEwan’s Atonement, William Shakespeare’s Hamlet, Virginia Woolf’s Mrs. Dalloway, and Michael Cunningham’s The Hours, along with a wide range of poetry. These texts are organized around three units that explore the following themes: 1) hierarchies, imperialism, and the legacy of history; 2) truth, reality, and perception; and 3) finding meaning and purpose. This course also fulfills the Rivers IDS graduation requirement through interdisciplinary consideration of several of the texts. Students are expected to master additional texts independently. Note that all students in this course are required to take the AP English Literature and Composition Exam in May.
  • Exploring Ethics: Language, Literature, and the Brain

    This course takes an interdisciplinary approach to the investigation of central ethical ideas: justice, empathy, freedom, and virtue. Students integrate disciplinary contributions from English, science, and philosophy to fashion meaningful resolutions of important ethical questions: What role do empathy and imagination have in moral thinking? How do recent developments in psychology and neuroscience shape our views of identity and responsibility? How can I strive to become a more ethical person in the dynamic world of day-to-day life? By engaging with short stories, poetry, and Aldous Huxley’s Brave New World, students consider the ethical implications of current developments such as generative AI and gene-editing technology. Assessments consist of both personal and analytical responses, collaborative group work, online discussion boards, and multiple projects. The “Disagreement Project” is designed to nurture skills of empathetic, careful listening and dialogue across cultural and socio-political differences.
  • Sports and Society

    According to journalist George Will, “Sports serve society by providing vivid examples of excellence.” Indeed, playing and/or watching sports enables many people to pursue personal goals, to find connection to others, and to believe in and commit to something greater than themselves. Sports are interconnected with the historical contexts in which they are played, and they have been central in political protest and social justice movements. A quick glance at the news headlines also reveals that there is often a dark side to sports, filled with corruption, scandal, and immorality. In this course, students adopt an interdisciplinary approach to study a wide variety of writing and other media about sports in an effort to explore the many roles that sports can play within an individual’s life and within society—the good, the bad, and the nuanced areas in between. Specifically, students consider why and how sports are often the context within which larger societal issues arise. Drawing on disciplines that may include history, science, business, and sociology, course texts comprise a mix of essays, podcasts, and documentaries; student interest determines much of the course content. Students respond to the material through analytical writing, personal essays, Socratic Seminars, and in-class presentations. The latter portion of the course prioritizes writing workshops, focusing on peer feedback, as students complete a series of creative writing assignments about the role that sports play in their own communities. Students of all athletic abilities and team allegiances are welcome in this course.
  • AP Macroeconomics

    This year-long course, which aligns with the College Board AP Macroeconomics curriculum, will emphasize the principles of macroeconomics that are at the heart of understanding both the national and international economy. Students will be equipped with the tools needed to thoroughly evaluate the status of the economy, as well as in-depth knowledge about the role that governments and international institutions play in creating change in the domestic and global economy. Additionally, students will explore topics related to the financial sector, such as the impact of monetary policy on banking and the time value of money. Contemporary ideas from behavioral economics will be introduced, empowering students to connect economic theory with modern psychology in pursuit of understanding why people behave the way that they do in the real world. Students will have the opportunity to take part in discussions, simulations, and projects that are designed to help bring these concepts to life while also highlighting the impact that macroeconomic policies have on individuals and societies. Students are required to take the AP Macroeconomics exam in May.
  • Honors Art History: Global Perspectives on Art in the Ancient World

    This two semester survey of the history of art examines the development of the world’s major artistic traditions from the Paleolithic Age to the present. While not exhaustive in scope, these courses aim to expose students to the central problems and methods in the field of art history as well as introduce them to many of the important stylistic developments in the history of art. Through lectures and slides, the history of art is placed in a global cultural context. In the first semester, students study the development of human artistic creation as it emerged from the flickering shadows of the caves of Altamira and Lascaux. From there, the canonical artistic traditions of Ancient Sumer, Egypt, and Greece are examined alongside artistic developments in the Americas, Africa, and Asia. By comparing and contrasting more and less familiar artistic traditions, students are challenged to contemplate the very nature of art and consider why all human societies create visual culture.
  • Honors Art History: Global Perspectives on Art in the Modern World

    The emergence of “modernity” and the transformations of the age of the Renaissance and European exploration are the starting point for the second semester of Art History. As in the fall course, the artistic developments in Europe are considered within the widening global context of the early Modern era, a period which is increasingly referred to as the “global Renaissance.” Picking up threads introduced in the first semester, students will compare and contrast the revolutionary artistic innovations of early Modern Europe with the cultural traditions of the Americas, Africa, and Asia. Special emphasis will be given to contemporary art, that is, the artistic developments that are unfolding today, at a time when the world is still coming to grips with the legacies of past eras. We will consider the role of art forms and artists that have traditionally been marginalized in the past, and current forms of expression that continually challenge the boundaries of what we consider art, such as Beeple’s NFT art and Maurizio Cattelan’s “Comedian” (a banana duct-taped to a gallery wall).
  • French IV or V: French Cinema and Conversation

    This course is for students who have demonstrated competency skills in reading, writing, listening, and speaking in French. The ultimate goal of this course is to equip students with language skills, cultural tools, and the development of an empathic attitude to effectively engage with people from different cultural backgrounds. Films are used as a springboard to discuss historical events and social issues. Students learn to understand films in the context of their time, and to comprehend how they connect to current events. Short and full-length films are chosen to sharpen students’ understanding of the language nuances, and cultures of the Francophone world. Students will draw from the performing arts to make films come to life.  From learning acting techniques to increase language proficiency; to being immersed in the entire life cycle of a film. Students will create storyboards, develop characters, write scenes, and ultimately produce their own short film, all in the target language.
  • Advanced Ancient Greek

    Ancient Greek introduces students to the language and culture of Classical Greece (ca. 500-300 BCE). Students use their knowledge of Latin grammar to provide a foundation for learning Ancient Greek. Due to the similar grammatical system to Latin, this course is able to move much more quickly than an introductory course. Students read excerpts from the textbook Athenaze, learn the culture of Classical Greece, look at material culture from the ancient world, and learn about other cultures with which the Greeks interacted. Students considering this course should show a strong capacity for language acquisition and should commit to a demanding, fast-paced course of study. 
  • AP Latin V

    Students read selections from Vergil’s epic poem The Aeneid and letters written by Pliny the Younger. Students analyze Latin in its literary, cultural, and historical context. The following themes are stressed: War and Empire, Leadership, Views on Non-Romans, History, and Memory, Human Beings and the Gods. Students considering this course should show a strong capacity for language acquisition and commit to a demanding course of study at a fast pace. Students are required to complete the AP Latin exam in May.
  • Interdisciplinary Spanish V

    In this interdisciplinary Spanish course, students examine the reasons why cultures and individuals create narratives and art that serve as an escape from reality. Through the lens of fantasy, students learn how societies develop different types of government and how they affect political regimes, countries, and people. Students also learn the theory and structure of fairy tales and use them to write tales of their own, leading them to question their purpose and find similarities and differences between different versions of the same stories. Students think critically about the time periods in which they were written, assessing how a story changes when told from different points of view. This course aims to refine grammatical points and vocabulary to achieve creative and precise expression, while drawing from history, political science, economics, literature, and art. All activities are conducted entirely in Spanish.
  • Cádiz: At the Intersection of History and Contemporary Spain

    This course is an opportunity for advanced and highly motivated Rivers language students to immerse themselves in the language and life of Spain by living with Spanish families and studying both in and outside of the traditional classroom setting. While in Cádiz, students attend daily classes taught by teachers who are native to Spain and travel with Rivers Language faculty to sites of pivotal significance in the evolution of contemporary culture. Field classes are designed to connect directly to students’ Rivers classes in the winter and spring prior to departure and to their morning and afternoon classes while in Cádiz. Students explore history, religion, architecture and art and consider the confluence of time, place, and culture as they have created our present-day world. Work and learning in Spain are intensive and take place seven days a week. All work is conducted entirely in Spanish. This program culminates in a capstone project designed by the student in which the student further examines one aspect of culture or history from the view of multiple academic disciplines.
    Criteria for selection for this program are demonstrated academic commitment, demonstrated effort and enthusiasm in the classroom, maturity and reliability as demonstrated in the student’s interactions at Rivers, the ability to function in Spanish at an advanced intermediate level, and personal essays. 10th and 11th graders selected for the program commit to weekly preparation classes beginning in late January until departure for Cádiz in mid-June.
  • Statistics

    The goal of this interdisciplinary course is for students to conduct and assess statistical analyses by utilizing statistical tools and technology in order to tell a clear story with data that informs decision making. It serves as an introduction to the fundamental concepts of statistics involved in displaying, summarizing, and drawing inferences from data. Topics include generating statistical questions, sampling methods, exploratory data analysis, design of surveys and experiments, probability, sampling distributions, estimation, significance testing, and regression. Students frequently engage in hands-on activities and explorations to learn the concepts and how they are applied across a variety of industries. The statistical programming language R is used to wrangle and analyze real datasets. Through the work done in this class, students also practice the iterative nature of statistical analysis that includes asking questions, collecting data, exploring ethical considerations around data privacy, conducting statistical analyses, and generating conclusions.  Overall, this course prepares students to positively impact a world that is increasingly generating and utilizing vast amounts of data.
  • AP Microeconomics

    The purpose of this interdisciplinary course is to give students a thorough understanding of the principles of economics that apply to the functions of individual decision makers, both consumers and producers, within the economic system. This course focuses on introducing students to the principles of microeconomics, placing primary emphasis on the nature and functions of product markets. Additionally, the course includes the study of factor markets and the role of government in promoting greater efficiency and equity in the economy. Relevant principles from game theory and psychology are also introduced. Concepts are taught and brought to life through a variety of means including readings, class simulations, visiting visual art faculty, projects, and debates. At the conclusion of the course, students are required to take the AP Microeconomics exam.
  • AP Environmental Science

    This course combines natural science, social science, and political science to train students in the root causes of environmental problems, and to provide students with the tools they can use to help fix those problems. Following the nine units of the AP syllabus, the course begins each unit with an essential problem, and the work of the unit identifies how natural, social, and political science can analyze and create solutions to the problem. The course explores core themes in environmental issues (ecology, biodiversity, populations, agriculture, energy, pollution, and climate change) by applying them to current day situations and dilemmas. To solve problems in this course, students must understand not only the underlying science (what chemical reactions caused the ozone hole to form?), but also the societal forces that led to the problem (why were CFCs developed and used across the globe?) and the political forces that can be marshaled to solve them (how did countries align to ban CFCs, enabling the ozone hole to recover?). Nightly reading, class discussions and lectures, laboratory experiments, and field study on and off campus are all used to help develop students’ understanding of the environment. Students are required to take the AP Environmental Science exam in May.
  • Intermediate Art (2D) - Mindfulness in Drawing

    This course aims to connect drawing and meditation practice with reflective writing, group discussion over scholarly articles in the field of psychology, and self-reflection to produce a rich and rewarding experience for students. Joining cognitive science from Dr. Jon Kabat Zinn’s studies at the Stress Reduction Clinic at UMass Medical Center with scholarly journals in the field of science and psychology as well as selected excerpts from two of Wendy Ann Greenhalgh’s mindfulness in drawing books, this course provides students the opportunity to slow down, connect breath with eye and hand, and experience drawing as a tool for mindfulness. Along with drawing both inside and outside of the classroom and engaging in class discussions, students will keep a daily journal that will document their experiences, observations, attitudes, and opinions throughout the course. This sketchbook/journal will be handmade by each student so there is a personal connection to the object and will be showcased in the end-of-term student art show.
  • Identity and Reality: Cinematic Production and Critical Studies

    Filmmaking is about communicating ideas through audio-visual means. In this IDS course cross-listed with Visual Arts, students practice visual storytelling that is personal and compelling, learning to connect with their audience in impactful and meaningful ways. Notions of diverse identities and the ability to construct varying realities are explored as students consider three essential questions in this course: How are movies and TV shows made, from concept to completion? How might analysis of films and TV help us not only construct but also challenge our notions of identity and reality? and In what ways does the production of a short film help us access and understand an array of interdisciplinary practices? Through a series of workshops, guest lectures, TV, short film and feature-length screenings, analysis, and hands-on movie production projects, this course emphasizes content development, storytelling strategies, and production skills. These IDS skills are explored in the context of crucial ethical, aesthetic, and social issues, with a particular focus on the relevance and importance of DEI work. In addition to developing, pitching, producing, and presenting their own “personal story” in the form of a documentary or fictional short film, students develop their writing and research skills and learn relevant film history.
  • History of Art I: Global Perspectives on Art in the Ancient World

    This two semester survey of the history of art examines the development of the world’s major artistic traditions from the Paleolithic Age to the present. While not exhaustive in scope, these courses aim to introduce students to the central themes and periods in art history, as well as cultivate the critical skills of art historical analysis. Through lectures, slides, and projects, the history of art is placed in a global cultural context. In the first semester, students study the development of human artistic creation as it emerged from the flickering shadows of the caves of Altamira and Lascaux. From there, the canonical artistic traditions of Ancient Sumer, Egypt, and Greece are examined alongside artistic developments in the Americas, Africa, and Asia. By comparing and contrasting more and less familiar artistic traditions, students are challenged to contemplate the very nature of art and consider why all human societies create visual culture.
  • History of Art II: Global Perspectives on Art in the Modern World

    The emergence of “modernity” and the transformations of the age of the Renaissance and European exploration are the starting point for the second semester of Art History. As in the fall course, the artistic developments in Europe are considered within the widening global context of the early Modern era, a period which is increasingly referred to as the “global Renaissance.” Picking up threads introduced in the first semester, students will compare and contrast the revolutionary artistic innovations of early Modern Europe with the cultural traditions of the Americas, Africa, and Asia. Special emphasis in Art History II will be given to contemporary art, that is, the artistic developments that are unfolding today, at a time when the world is still coming to grips with the legacies of past eras. We will consider the role of art forms and artists that have traditionally been marginalized in the past, and current forms of expression that continually challenge the boundaries of what we consider art, such as Beeple’s NFT art and Maurizio Cattelan’s “Comedian” (a banana duct-taped to a gallery wall).
  • Intermediate Art (2D)- Game Design

    In this course, students will explore the ideas and concepts of traditional game design. Through the introduction and use of digital design applications (Adobe Illustrator and Photoshop) and traditional game-making materials (paper, cardboard, dice, and other potential game parts), students will explore conceptual, developmental, prototyping, and playtesting ideas of game design. This interdisciplinary course aims to develop students' design thinking and iterative thinking abilities. The majority of class time will be dedicated to the creation and play-testing of student game prototypes, but the course will also include time devoted to research, presentation, the history of game design, and the processes involved in publishing and producing a game.

  • Special Program in Bioethics

    Bioethics is the study of ethical, legal, and social issues that arise in healthcare, health policy, and biomedical research: Should we genetically modify plants, insects, and animals? Should parents be able to select the traits of their children through the use of reproductive and genetic technologies? What is the moral status of non-human animals, and how does that affect how we use them in biomedical science? The bioethics program aims to promote bioethical thinking and research skills, support independent ethical engagement in society, encourage students to consider careers in the medicine and non-profit sectors, and develop connections between Rivers and Harvard Medical School. Engaging with the Community Ethics Committee created by Harvard Medical School, and with the support of expert external mentors, students develop either a research project or a community engagement project on a bioethical topic of their choosing. Projects are shared with Boston community representatives, medical professionals, and the Rivers community.
  • Special Program in Creative Writing

    The Special Program in Creative Writing, supported by both the English and Interdisciplinary Studies Departments, provides the opportunity for the most dedicated and passionate creative writers at Rivers to develop their craft under the guidance of an expert faculty mentor. Open to 11th and 12th grade students who already produce creative writing outside of the classroom setting, the program involves a one-schoolyear commitment from students to participate in weekly meetings and to read and write independently throughout the year. The faculty mentor facilitates group meetings and supports individual students in their work. The program culminates in the publication of students’ polished work, whether in fiction, non-fiction, poetry, or playwriting. The creative media explored and produced by students is often interdisciplinary in nature, and students will earn IDS credit for successful completion of the program.

Upper School Faculty

  • Photo of Julian Willard
    Julian Willard
    Interdisciplinary Studies Department Chair, English, Bioethics Program
    339-686-2417
    King's College, London University - PhD
    King's College, London University - M.Th.
    Exeter College, Oxford University - BA
    2005
    Bio
  • Photo of Andrea Diaz
    Andrea Diaz
    Dean of Faculty, History
    339-686-4599
    Boston University - MA
    Brown University - BA
    2010
    Bio
  • Photo of Sophia Lane
    Sophia Lane
    Visual Art, Portfolio Program Advisor
    339-686-4496
    Maryland Institute College of Art - MA
    Wellesley College - BA
    2021
    Bio
  • Photo of Benjamin Leeming
    Benjamin Leeming
    History Department Chair, Drama
    339-686-4516
    SUNY/Albany - PhD
    Harvard University - ALM
    Tufts University - BA
    2002
    Bio
  • Photo of Mary Mertsch
    Mary Mertsch
    English Department Chair, Director of New Faculty Development
    339-686-2414
    University of Michigan - ABD
    Wake Forest University - MA.Ed
    Georgetown University - BA
    2008
    Bio
  • Photo of Victoria Mizzi
    Victoria Mizzi
    Interim Upper School Dean of Student Life, Mathematics
    339-686-2264
    Queens University - BEd, BS
    2016
    Bio
  • Photo of Meghan Regan-Loomis
    Meghan Regan-Loomis
    English, IDS
    339-686-2415
    Tufts University - MAT
    Kenyon College - BA
    2005
    Bio
  • Photo of Sequoyah Reynoso
    Sequoyah Reynoso
    Science, IDS, MULTI Affinity Advisor, MS Football Coach, Varsity Track Assistant Coach, Life Sciences Research Program Coordinator
    339-686-2475
    University of California, San Diego - Ph.D.
    Dartmouth College - BA
    2019
    Bio
  • Photo of Andrea Villagrán
    Andrea Villagrán
    French, Spanish, Director of Global Engagement, US Professional Growth Coordinator
    339-686-4503
    Wellesley College - BA
    Middlebury College - MA
    2015
    Bio
  • Photo of Nicole Winters
    Nicole Winters
    Visual Arts, Gallery Coordinator, IDS
    339-686-4509
    Tufts University - MA
    Massachusetts College of Art & Design - BFA
    2019
    Bio
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